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Presents the online version of "Graphic Arts Monthly," a magazine for the printing industry, published by Cahners Publishing Co. Includes industry news, product reviews, and special features from the print edition. Contains classified advertisements, subscription information, and an events calendar. Links to advertisers, industry stock information, and editorial archives. Posts contact information for the magazine's New York City headquarters via street address, telephone and fax numbers, and e-mail.
Printing --- Printing. --- Printing, Practical --- Typography --- Graphic arts
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Polymers --- Printing. --- Surfaces. --- Printing, Practical --- Typography --- Graphic arts
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Semiotics --- Writing --- Printing --- Ecriture --- Imprimerie --- Typographie --- Lettrisme --- Penmanship --- -Printing, Practical --- Typography --- Graphic arts --- Chirography --- Handwriting --- Language arts --- Study and teaching --- Penmanship. --- -Penmanship --- Printing, Practical --- CDL --- 766.021 --- Printing - France --- Histoire
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Printing --- Printing, Practical --- Typography --- Graphic arts --- History --- Nevada --- NV --- Nev. --- State of Nevada --- Nevada Territory --- Imprints --- Bibliography --- Union lists.
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Despite the fact that, if only by number, small and peripheral cities played an important role in fifteenth and sixteenth-century European print culture, book history has mainly been dominated by monographs on individual big book centres. Through a number of specific case studies, which deploy a variety of methods and a wide range of sources, this volume seeks to enhance our understanding of printing and the book trade in small and peripheral European cities in the fifteenth and sixteenth centuries, and to emphasize the necessity of new research for the study of print culture in such cities.
Printing --- Book industries and trade --- Printing, Practical --- Typography --- Graphic arts --- Book trade --- Cultural industries --- Manufacturing industries --- History --- Origin and antecedents.
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When compiling the short-title catalogue of books printed in the sixteenth-century northern Netherlands from 1541 to 1600, Paul Valkema Blouw was confronted with a large number of ‘problem cases’, such as anonymously and/or surreptitiously printed editions, fictitious printers and undated or falsely dated printed works. By minutely analysing the typefaces, initials, vignettes and other ornaments used, drawing from his extensive knowledge of secondary literature, archival information and his unrivalled typographic memory, he not only managed to attribute a surprising number of these publications to a printer, but also could establish the period of time in which, as well as the places where, they must have been printed. These findings and the ways in which they were reached are described in the present collection of papers. They are of paramount importance to scholars engaged in research of the period concerned, whether in the field of church history, national history or book history
Printing --- DESIGN / Graphic Arts / Typography. --- Printing, Practical --- Typography --- Graphic arts --- History --- History. --- Valkema Blouw, Paul. --- Blouw, Paul Valkema
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Here for the first time are gathered together the extant letters of George Faulkner, Irish printer in eighteenth-century Dublin. These firsthand accounts give an unprecedented view of Anglo-Irish social and political events, as well as a view of an Anglo-Irish printer-publisher at work.Faulkner discusses a wide range of subjects, including theatrical events, attacks on political enemies (he himself was often the subject of political attack), and London parties with Lord Chesterfield, Tobias Smollet, and Samuel Johnson.In his interesting sketch of the Irish printer, Robert E. Ward has included
Printing --- Printers --- Printing, Practical --- Typography --- Graphic arts --- History --- Correspondence. --- Faulkner, George, --- Dublin (Ireland) --- Social life and customs
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In the mid-1910s, what historians call the "Golden Age of Chinese Capitalism" began, accompanied by a technological transformation that included the drastic expansion of China's "Gutenberg revolution." Gutenberg in Shanghai examines this process. It finds the origins of that revolution in the country's printing industries of the late imperial period and analyzes their subsequent development in the Republican era. This book, which relies on documents previously unavailable to both Western and Chinese researchers, demonstrates how Western technology and evolving traditional values resulted in the birth of a unique form of print capitalism whose influence on Chinese culture was far-reaching and irreversible. Its conclusion contests scholarly arguments that view China's technological development as slowed by culture, or that interpret Chinese modernity as mere cultural continuity. A vital reevaluation of Chinese modernity, Gutenberg in Shanghai will be enthusiastically received by scholars of Chinese history and by specialists in cultural studies, political science, sociology, the history of the book, and the anthropology of science and technology.
Printing --- Publishers and publishing --- Imprimerie --- Editeurs et édition --- History --- History. --- Histoire --- Book publishing --- Books --- Book industries and trade --- Booksellers and bookselling --- Printing, Practical --- Typography --- Graphic arts --- Publishing
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This book is a guide to the use of type in design for print and screen. It provides a creative, informative, and practical introduction for those studying all pathways of graphic design.The authors discuss who uses type, where and when type is employed, audience and appropriateness of type, and communication. The book includes basic information about type and its terminology, using typefaces, designing and communicating with type, color and movement, experimentation with type, and production issues. Throughout, examples are drawn from design for both print and screen. How to Use Type includes
Type and type-founding. --- Printing. --- Printing, Practical --- Typography --- Graphic arts --- Fonts (Printing) --- Founts (Printing) --- Metal types --- Type faces --- Typefaces --- Founding --- Printing --- Typesetting --- Typografie --- Graphic signs --- typography --- typografie
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A Social History of Books and Libraries from Cuneiform to Bytes traces the roles of books and libraries throughout recorded history and explores their social and cultural importance within differing societies and changing times. It presents the history of books from clay tablets to e-books and the history of libraries, whether built of bricks or bytes.
Books --- Libraries --- Printing --- Printing, Practical --- Typography --- Graphic arts --- Documentation --- Public institutions --- Librarians --- Library materials --- Publications --- Bibliography --- Cataloging --- International Standard Book Numbers --- History. --- Social aspects
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